Pitchfork's Top 50 Albums of 2006 Abridged
It’s that most wonderful time of year, no not Christmas, Pitchfork has again published its picks for the best albums of 2006 and regardless of your feelings towards the pretentious site it is hard to ignore its influence and the generally accurate reviews they generate. To look through the entire list click here. As I, along with most other people, have not had the chance or money to enjoy all of the albums on the list I thought I would offer an abridged version of my favorites.
43. Sonic Youth – Rather Ripped
After missing the first seven albums on Pitchfork’s list, mine starts off with a bang. Sonic Youth’s streamlined album “Rather Ripped” is an excellent introduction to one of the most influential bands of our generation, and an exciting variation for long time fans. This release was a departure from their longer and more difficult “Sonic Nurse” but was able to do so without losing any of the no-wave, noise rock charm that has defined them for more than twenty years.
Top Tracks: "Do You Believe in Rapture?" and “Incinerate"
41. The Decembrists – The Crane Wife

The Decembrists have long been one of my favorite bands and thanks to an ever evolving sound and superb song writing by Colin Meloy they keep getting better. Merging elements of their post rocky EP “The Tain” with the literate pop that has made them famous on the indie scene they create one of the most adventurous and yet inviting albums of the year based on an ancient Japanese tale.
Top Tracks: "The Island" and "The Crane Wife 1 & 2"
40. Tapes ‘n Tapes – The Loon
Minnesota natives Tapes ‘n Tapes were a surprise for many readers, partially due to the bands penchant for plundering elements of Modest Mouse, Pavement and the Pixies for much of the album. However “The Loon” does so with such magnificent results that simply naming influences does an injustice to this catchy album.
Top Tracks: "Insistor" and "Cowbell"
36. Brightblack Morning Light - Brightblack Morning Light
Combine one part indie, one part hippie and stir in a good deal of guitar noodling, Rhodes organ, group chanting, flutes and you have something like Brightblack Morning Light. With all tracks nearing or exceeding the six minute mark this isn’t an album for the impatient, but for the indie fan who isn’t afraid to admit a fondness for Phish, this is the album for you.
Top Track: “Fry Bread” and “A River Could Be Loved”
34. Girl Talk - Night Ripper
One of the most fun and most danceable albums of the year, this effort by Gregg Gillis a.k.a. Girl Talk takes the practice of mashing up and turns it into an art form. With over 120 samples throughout the album you are guranteed to catch some of your favorites intermixed with current rap hits and classic oldies. Interested listeners can check out a compiled list of all samples here.
Top Tracks: "Bounce That" and "Smash Your Head"
31. Danielson - Ships
Daniel Smith has appeared over the years in many forms, sometimes with his family as Danielson Familie, a smaller version called Brother Danielson, sometimes even as a lone tree. No matter the incarnation he always creates beautiful, if sometimes grating, lush music accompanied by his unusaul voice. Here he constructs a masterpiece, a song cycle based on ships creating what Pitchfork aptly calls a “majestic, melodic beast.”
Top Tracks: "Did I Step on Your Trumpet" and "Ship the Majestic Suffix"
28. Cat Power - The Greatest
I did not think this was one of Cat Power’s greatest. In fact after about a week of initial listening I haven’t returned to Chan Marshall’s Memphis infused album. Sure the instrumentation is excellent and her voice is great but something just didn’t click. Many listeners would disagree so if you have liked her previous works don’t let me discourage you.
20. Man Man - Six Demon Bag
Man Man is consistently one of the strangest bands in the indie arena and “Six Demon Bag” finds them channeling the best parts of Captain Beefheart and Tom Waits along with some of their own flair to create their best album to date. Able to create both quietly emotional songs along side jaunty rock dirges this album takes a while to get used to but is immensely fun when you get there.
Top Tracks: "Young Einstein on the Beach" and "Van Helsing Boombox"
18. Destroyer - Destroyer's Rubies

On “Destroyer’s Rubies” Dan Bejar crafts another outstanding album, exceptional song writing has always been his strong suit and here he finds the melodies and instruments to back it up. This is a great album but not the best he released this year, as one third of the band Swan Lake he released what I thought to be a far superior album entitled “Beast Moans”. Anyone who is a fan of Destroyer, Wolf Parade, Sunset Rubdown or Frog Eyes should be sure to check it out.
Top Tracks: "Your Blood" and "Watercolours into the Ocean"
08. Grizzly Bear - Yellow House
Certainly in my top three of this year and maybe my overall favorite, the Canadians called Grizzly Bear do everything right on this their sophomore effort. After their first album “Horn of Plenty” drew comparisons to Animal Collective this second album did a great deal to create a completely individual identity for the band. Recorded in Edward Droste's mother's Cape Cod home, “Yellow House” contains beautiful acoustic interludes, plucked banjo and flute, but can quickly change into a driving rocker and then just as quickly devolve into a psychedelic jam. Beautiful harmonized vocals flow through songs that one wishes would never end. Every track on the album is good. Do not miss out on this excellent record.
Top Tracks: “Knife” and “On a Neck, On a Spit”
06. Liars - Drum's Not Dead
A surprising favorite this year came from one of the most indefinable bands on the scene today. They began their career during the garage rock boom, followed up with a weird and critically canned album and only to come back and deliver one of the best albums of 2006. It is a dark album, it includes elements of electronica, folk and indie rock. The lead singer Angus Andrew has a somewhat scary but overall endearing falsetto, which is not so much the focal point of many of the songs but another instrument. While it may not be for everyone this is really an exceptional album.
Top Tracks: "The Other Side of Mt. Heart Attack" and "Let's Not Wrestle Mt. Heart Attack"
03. Joanna Newsom – Ys
There is no doubt that this is a beautiful record, her voice accompanied by a harp and full orchestra on four of the five tracks makes sure of that. However, I am not a huge fan of the album. It feels long and at times grating, an album I can’t imagine ever really getting into. Like a lot of classical music, it is gorgeous but, at least for me has little replay ability. Again, this was a pretty universally praised album so if you like lush orchestral music be sure to give it a chance.
02. TV on the Radio - Return to Cookie Mountain

I have mentioned previous to this point that there are a few albums in contention for my favorite of the year, but in the end I do think TV on the Radio’s second album wins. As a result of an uninviting name and very little publicity I was late in listening to their first album “Desperate Youth, Bloodthirsty Babes” but I was immediately taken in with the emotional heft of the singing and electronic/rock elements of the music. On “Return to Cookie Mountain” they have refined their song craft and deliver one of the most emotionally charged albums all while remaining lyrically obscure. Ripping guitars, ominous bass and frantic drumming all add a sense of urgency to the record. It is a dense and dark album that gets better with every listen, and traditional music lovers will be sure to enjoy the beautiful harmonies and excellent instrumentation. Get it, you won’t regret it!
Top Tracks: "I Was a Lover" and “Wolf Like Me”
01. The Knife - Silent Shout

Finally we have reached Pitchfork’s number one album of the year. Over the past five months I have begun to listen to and enjoy electronic music, even to the extent of preferring it over most other types. This may not be a direct result of The Knife (Four Tet, Fennesz, STS9 and My Bloody Valentine certainly played a part) but has had a significant impact. The album, like many of the best this year, is dark, menacing chords play over ghostly vocals but at the same time listening to it makes you want to dance. It certainly is not the usual techno one hears on the radio, complex sampling and intense instrumental segments are matched with beautiful washes and ambient soundscapes. The vocals keep the listener interested when other electronic music might get repetitive. For the adventurous or already electronically initiated there is no doubt why this was named the best album of the year.
Top Tracks: "Silent Shout" and "We Share Our Mother's Health"
That ends the round-up of the albums I had the pleasure of listening to this year, if anyone would like to add on, just post in the comments section and I can add it later.



